In 1987, during a winter of ice and tensions of all kinds, the radiant "Flames" hatch. They follow a period entitled “Fields”, where the compartmentalized background of the initial Baigneuses becomes an end in itself, evoking, in its rhythmic order, fields, vines, plowing, as seen from an airplane.
The Flames suddenly introduce into this arrangement a central form organized in elevation, by superimposed planes. Despite the ruptures, the Flame bursts forth and, irrepressibly, rises. What more obvious symbol of a spiritual order?
Finally from 1988 to 1990, a definitive fusion in oils on paper or on canvas, of the three privileged themes: Bathers, Flames, Trees and Stones, closes, so to speak, the work of Guy Renne.